Flossie caught sight of the clock and jumped up. “Who was it said that woman would be the last thing man would civilize?” she asked. She remembered, as she was taking her leave, what she had come for: which was to invite Joan to dinner on the following Friday.!

She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man. It was one of the half-dozen old hotels still left in Paris, and was built round a garden famous for its mighty mulberry tree. She breakfasted underneath it, and was reading there when Folk appeared before her, smiling and with his hat in his hand. He excused himself for intruding upon her so soon, thinking from what she had written him that her first morning might be his only chance. He evidently considered her remembrance of him a feather in his cap.

He nodded. “I thought you were an artist,” he said. “Don’t let them ever take your drum away from you. You’ll go to pieces and get into mischief without it.” Joan replaced the letter in its envelope, and laid it down upon the desk. Unconsciously a smile played about her lips. It represented a long, thin line of eminently respectable ladies and gentlemen in early Victorian costume. The men in peg-top trousers and silk stocks, the women in crinolines and poke bonnets. Among them, holding the hand of a benevolent-looking, stoutish gentleman, was a mere girl. The terminating frills of a white unmentionable garment showed beneath her skirts. She wore a porkpie hat with a feather in it.